PERMANENT COLLECTION The Gadsden Arts Center has several outstanding works of art on permanent loan or as part of the permanent collection. The Center is in the process of expanding the collection through the generous donations of local art colletors.
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Permanent Collection Gift 2009
In November 2009, the Gadsden Arts Center received a generous gift to its Permanent Collection: 15 pieces of Vernacular art and 2 historically significant works from the prestigious collection of Lou and Calynne Hill. Ten of the sixteen works included in the gift were exhibited in the Vernacular Art from the Hill Collection exhibition on display at the Arts Center this past fall. Donated works include the infamous Godzilla sculpture by O.L. Samuels, four works by the nationally acclaimed artist, Thornton Dial, Sr., an early watercolor painting by Dean Mitchell, and a tapestry painting by Chief Oloruntoba. In addition, 15 works of art are on loan, scheduled to be gifted to the Center in late 2010. The next gift includes works by Mose Tolliver, Henry Speller, Joe Light, Edward Mumma, Lonnie Holley and Ronald Lockett. By the end of 2010, the Gadsden Arts Center will steward a 34 piece collection of Vernacular art to package and travel to art museums around the country. Our sincere thanks to Lou and Calynne Hill for this generous contribution to our region’s cultural community!
For information about the Gadsden Arts Center Vernacular Art Traveling Exhibition, please contact Curator Angie Barry at (850) 875-4866 or
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Works on Loan:
Florida Shirt Leo McMillan mixed media On loan from the artist
This large-scale mixed media sculpture represents all things associated with the state of Florida, included dolphins, oranges, flamingos, NASA, snakes, alligators, and more while posing as a “Florida Shirt”. Artist Leo McMillan teaches 3D Design and Art Tools and Techniques at Florida State University and has maintained a professional art studio for thirty years. He is a past recipient of an Individual Artists Fellowship from the State of Florida and was one of three artists chosen statewide to design a monumental sculpture for the front of the State Capitol. Currently, McMillan resides in Quincy, and sits on the Gadsden Arts Center Exhibition Committee.
Ichiboku Sculptures: Natabori, Mongaku, Yama Uba Mark Lindquist wood On loan from the artist
Mark Lindquist has been an innovator and leader in the field of woodturning/sculpture since the late 1960s. Lindquist's thirty-plus years of contributions to contemporary art have altered the direction of woodturning and sculpture worldwide. Through exhibiting, writing and teaching, Lindquist was instrumental in bringing about the acceptance of the craft of woodturning as a serious art form, and inspired and nurtured the followers of this fledgling movement. Mark Lindquist's sculpture has evolved out of his art historical studies and his mastery of, and experimentation with, the craft of woodturning. Beginning in the late 1960s, he developed many of the techniques and aesthetic concepts which underlie the current studio woodturning movement, including the use of flawed materials (especially spalted wood), the application of modern abrasive technology, and the integration of Japanese ceramic sensibilities.
These sculptures are from one of Lindquist’s several series of sculpted wood. Ichiboku, literally "one tree," is a type of Japanese sculpture made from a single block of wood. This technique flourished in the ninth century when a spirit of religious revivalism prevailed, and the spirit of the tree was invoked to lend strength to the image carved from it.
Lindquist’s works have been exhibited in galleries and museums throughout the world, and have been acquired by prestigious museums such as the National Museum of American Art of the Smithsonian, the Art Institute of Chicago, the White House Collection of American Craft, the Boston Museum of Fine Arts, the Philadelphia Museum of Art, the High Museum in Atlanta, and numerous other public and private collections.
In September of 2010, the Gadsden Arts Center will host and exhibition that explores the 40-year evolution of Lindquist’s work, from wood vessels and furniture to large-scale totems to abstract photography.
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